Show HN: RxEffects- reactive state and effect management with RxJS https://ift.tt/3g3yqQq August 14, 2021 at 09:34AM
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(https://ift.tt/3CGDYd8https://whatsmusic.de/frankien-interview-creating-the-singer-songwriter-genre-standing-against-racism-and-a-memorable-open-mic-episode/
Show HN: RxEffects- reactive state and effect management with RxJS https://ift.tt/3g3yqQq August 14, 2021 at 09:34AM
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(https://ift.tt/3CGDYd8Show HN: SQLite-S3-query – Python function to query a SQLite database on S3 https://ift.tt/2VOHkdc August 14, 2021 at 09:45AM
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(https://ift.tt/3CMLxPEShow HN: Play online chess with real chess board https://ift.tt/37HMZo5 August 14, 2021 at 07:51AM
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(https://ift.tt/2XstDS6Show HN: SQLite-S3-query – Python function to query a SQLite database on S3 https://ift.tt/2VOHkdc August 14, 2021 at 09:45AM
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(https://ift.tt/3g1RpL0Show HN: Play online chess with real chess board https://ift.tt/37HMZo5 August 14, 2021 at 07:51AM
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(https://ift.tt/3sfsPLHShow HN: Certificate Maker Built with GSlide, Gsheets and Gmail https://ift.tt/3fZjFOf August 14, 2021 at 05:04AM
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(https://ift.tt/3sinKSJShow HN: Certificate Maker Built with GSlide, Gsheets and Gmail https://ift.tt/3fZjFOf August 14, 2021 at 05:04AM
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(https://ift.tt/3xLYPrVShow HN: DocOne – A Search Engine for Healthcare Hi Hacker News! I’m the founder of DocOne (https://docone.io). DocOne delivers the most relevant physicians for any medical condition based on expertise. We currently cover all US physicians and ~4500 conditions. Why? The complexity of medicine is accelerating exponentially. Medical knowledge doubles every few months. To keep up, physicians are focusing on narrow groups of conditions. While there are only around 40 traditional medical specialties, in reality there are >500 ultra-specialties. If there’s one thing we’ve heard over and over from physicians (when they refer their patients) and people (when they search for specialists), it’s that they struggle to identify the right physicians. I’ve personally experienced this. Old-school physician directories (hospital, insurance, 3rd party like ZocDoc and Healthgrades) are essentially phone books. They don’t rely on expertise. They use patient reviews, which have no correlation with expertise. They often sell ads. That’s why we created DocOne. Our team has a background in data science and medicine. We capture and mine large-scale, up-to-date medical knowledge sources, and use data science (computational linguistics, NLP, shallow and deep learning language models, information retrieval) to build models of medical conditions and to rank physicians according to their relevance to any given condition. Instead of doing the traditional search by physician specialty, people can do a precise search by an individual condition. We’re excited to show you the free and open version of our platform. We’ve tested it with a narrow group of patients, but we’re ready to open it up to a broader user base. To search, start typing a medical condition and select an option from the drop down menu. Search nationwide, or type in a zip code or city/state. Filter by specialty (the platform knows all relevant specialties for each condition, helping the user search for the right type of specialist). We hope you’ll take a moment to try docone.io and let us know how it goes. Excited to have your feedback! Please leave your thoughts and comments. August 13, 2021 at 09:24PM
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(https://ift.tt/2VNQF50Show HN: DocOne – A Search Engine for Healthcare Hi Hacker News! I’m the founder of DocOne (https://docone.io). DocOne delivers the most relevant physicians for any medical condition based on expertise. We currently cover all US physicians and ~4500 conditions. Why? The complexity of medicine is accelerating exponentially. Medical knowledge doubles every few months. To keep up, physicians are focusing on narrow groups of conditions. While there are only around 40 traditional medical specialties, in reality there are >500 ultra-specialties. If there’s one thing we’ve heard over and over from physicians (when they refer their patients) and people (when they search for specialists), it’s that they struggle to identify the right physicians. I’ve personally experienced this. Old-school physician directories (hospital, insurance, 3rd party like ZocDoc and Healthgrades) are essentially phone books. They don’t rely on expertise. They use patient reviews, which have no correlation with expertise. They often sell ads. That’s why we created DocOne. Our team has a background in data science and medicine. We capture and mine large-scale, up-to-date medical knowledge sources, and use data science (computational linguistics, NLP, shallow and deep learning language models, information retrieval) to build models of medical conditions and to rank physicians according to their relevance to any given condition. Instead of doing the traditional search by physician specialty, people can do a precise search by an individual condition. We’re excited to show you the free and open version of our platform. We’ve tested it with a narrow group of patients, but we’re ready to open it up to a broader user base. To search, start typing a medical condition and select an option from the drop down menu. Search nationwide, or type in a zip code or city/state. Filter by specialty (the platform knows all relevant specialties for each condition, helping the user search for the right type of specialist). We hope you’ll take a moment to try docone.io and let us know how it goes. Excited to have your feedback! Please leave your thoughts and comments. August 13, 2021 at 09:24PM
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(https://ift.tt/3iHV6qWLaunch HN: Tella (YC S20) – Collaborative video editing in the browser Tella ( https://www.tella.tv/ ) is a collaborative online video editor for screen and camera recordings. We’re making video creation accessible to people who have no prior editing experience. Sharing screen and camera recordings is a rapidly growing way for people to communicate at work, especially in technology where the subject matter is often on screens (new features, code, designs). But while people are creating more video for work, it’s usually for the convenience of the creator and not the viewer. One-take screen recordings can be long, boring, and difficult to watch. We’re trying to change this by letting people produce and edit their recordings so that it’s a better experience for viewers. Michiel and I used to work at a large remote company and this was where we saw the potential of edited video content in the workplace. One of the biggest challenges was keeping business teams up-to-date with product teams. The most effective solution was product teams sharing videos about their work over Slack, which the rest of the organisation watched in their own time. Product teams made videos about new projects, progress updates, launches, user research, and so on. The most interesting aspect of the approach was that the videos weren’t just screen recordings, they were edited and often well-produced videos. The better the production, the better the engagement was. Teams approached the production of these videos in the same way as preparing a slide deck for a presentation. We loved the format and saw its potential, especially in a remote workplace, but it had some problems. Video editing is time consuming, and working on a video with a teammate takes even longer. Video editing also has a high barrier to entry. Purchasing Screenflow or Final Cut (or other long-format editors) and then learning how to use it prohibits people from trying video as a form of sharing information. So we set out to build a video editor that focuses on screen and camera recording (where most of the subject matter comes from at work), allows for collaboration (many people work in teams and expect the tools they use to support this), and makes editing straightforward (putting together a video should be as simple as putting together a slide deck). Our implementation takes a different approach to most editors. We wanted something that was fast, lightweight, and could run in a web browser—appealing to people completely new to video editing. We also wanted to support real-time collaboration. Instead of transcoding all content to a video format, we created our own video player that controls the timing and display of HTML elements. Let’s say your video consists of a couple recordings, some text, and some images. Tella plots these different bits of content on a timeline and then plays them back in sequence on a webpage. The benefit of this is that we can use anything that you can do with HTML, CSS and JS to create a video. We’re not bound to ffmpeg or other transcoders to generate our video for us. We take the document the user created and display that in the same way to the viewer (no converting step in between). This means we can stay lightweight and let you update the video whenever you like. There are no “snapshots” stored and the link always shows the source of truth. The challenge with this is keeping all the content in sync. Using our earlier example: the first recording should play after the text and then the second recording exactly after the first ends. A more complex scenario would be where two videos need to play back at the same time: a screen recording and a camera recording—these need to start and stop at the same moments. This is called “Media Synchronization”, or MediaSync for short ( https://ift.tt/2E3qC0V ). At the moment browsers don’t have a lot of stable APIs that can help us, but they are in the works! One notable example is the Timing Object ( https://ift.tt/3h3Akz2 ) which outlines how you can sync multiple media elements to the same clock. Right now Tella mostly works by manually syncing all video elements on actions like “play” or “seek”. Eventually we want to implement more of the techniques outlined in MediaSync, like slightly changing the speed of out of sync videos to let them catch up. So far, people have been using Tella to create product demos, team updates, company announcements, sales pitches, investor pitches, and tutorial videos, as well as making video content for blogs and newsletters. We’d love to hear what you think and answer any questions you might have. Thanks! August 14, 2020 at 07:40AM
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(https://ift.tt/341xBCbShow HN: Photo Realistic QR-Codes https://ift.tt/2Q5wJEN August 14, 2020 at 07:06AM
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(https://ift.tt/3iBLnzuShow HN: A Genetic Algorithm library written in JavaScript https://ift.tt/2eY8J14 August 14, 2020 at 07:05AM
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(https://ift.tt/31PtN4oShow HN: Tweek – Super Fast To-Do Weekly Calendar App https://tweek.so August 14, 2020 at 06:43AM
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(https://ift.tt/30XiaJCShow HN: Shellcaster, a terminal-based podcast manager in Rust https://ift.tt/2WTaq98 August 14, 2020 at 05:55AM
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(https://ift.tt/31Tw9PSMillions of artists have wondered, “How do I get more legit streams on Spotify?”
The operative word here is legit.
Many artists have come across dozens of promotion companies all claiming to provide real streams, but unfortunately sometimes it’s hard to tell what’s real and what’s not.
This has led to a healthy skepticism from artists who do see the usefulness in landing on good playlists and attracting new listeners to their music, but aren’t sure if the playlists or companies they’re submitting to have botted (or fake) streams that are artificially inflating the play counts.
At Omari Music Promotion we’ve reviewed far more playlists than just about anybody and made our network of vetted curators available to artists through our promotion service at https://ift.tt/2ZJ7j6f.
Given that we’ve promoted music for over 10,000 artists and run close to 20,000 individual campaigns, that’s A LOT of researching and vetting playlist curators to ensure we provide organic promotion to artists.
Here are the tips and strategies we’ve developed over the years to verify if a playlist is real or fake before letting them into our network of curators at https://ift.tt/2ZJ7j6f.
Subscribe : http://bit.ly/2id0MGY
Website : http://omarimc.com
———————————————
● Email: https://ift.tt/2knagGw
● Instagram : https://ift.tt/2BI5zLu
● Twitter : https://ift.tt/1uASU2k
● Facebook : https://ift.tt/2kjY5dA
● SoundCloud : https://ift.tt/1gjPNLb
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(https://ift.tt/3kNLeuIMillions of artists have wondered, “How do I get more legit streams on Spotify?” The operative word here is legit. Many artists have come across dozens of promotion companies all claiming to provide real streams, but unfortunately sometimes it’s hard to tell what’s real and what’s not. This has led to a healthy skepticism from artists who do see the usefulness in landing on good playlists and attracting new listeners to their music, but aren’t sure if the playlists or companies they’re submitting to have botted (or fake) streams that are artificially inflating the play counts. At Omari Music Promotion we’ve reviewed far more playlists than just about anybody and made our network of vetted curators available to artists through our promotion service at https://ift.tt/2ZJ7j6f. Given that we’ve promoted music for over 10,000 artists and run close to 20,000 individual campaigns, that’s A LOT of researching and vetting playlist curators to ensure we provide organic promotion to artists. Here are the tips and strategies we’ve developed over the years to verify if a playlist is real or fake before letting them into our network of curators at https://ift.tt/2ZJ7j6f. Subscribe : http://bit.ly/2id0MGY Website : http://omarimc.com ——————————————— ● Email: https://ift.tt/2knagGw ● Instagram : https://ift.tt/2BI5zLu ● Twitter : https://ift.tt/1uASU2k ● Facebook : https://ift.tt/2kjY5dA ● SoundCloud : https://ift.tt/1gjPNLb
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(https://ift.tt/3gW0FPqMillions of artists have wondered, “How do I get more legit streams on Spotify?”
The operative word here is legit.
Many artists have come across dozens of promotion companies all claiming to provide real streams, but unfortunately sometimes it’s hard to tell what’s real and what’s not.
This has led to a healthy skepticism from artists who do see the usefulness in landing on good playlists and attracting new listeners to their music, but aren’t sure if the playlists or companies they’re submitting to have botted (or fake) streams that are artificially inflating the play counts.
At Omari Music Promotion we’ve reviewed far more playlists than just about anybody and made our network of vetted curators available to artists through our promotion service at https://ift.tt/2ZJ7j6f.
Given that we’ve promoted music for over 10,000 artists and run close to 20,000 individual campaigns, that’s A LOT of researching and vetting playlist curators to ensure we provide organic promotion to artists.
Here are the tips and strategies we’ve developed over the years to verify if a playlist is real or fake before letting them into our network of curators at https://ift.tt/2ZJ7j6f.
Subscribe : http://bit.ly/2id0MGY
Website : http://omarimc.com
———————————————
● Email: https://ift.tt/2knagGw
● Instagram : https://ift.tt/2BI5zLu
● Twitter : https://ift.tt/1uASU2k
● Facebook : https://ift.tt/2kjY5dA
● SoundCloud : https://ift.tt/1gjPNLb
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(https://ift.tt/2FoOvkavia Blogger https://ift.tt/3aoOvvJ
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